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André Bauchant and Ryuji Fujita
Pastoral redemption, Glimpses of perception16 April – 10 July 2022
Tokyo Station Gallery
André Bauchant (1873-1958) and Ryuji Fujita (1928-2002) lived in different times and parts of the world.
Yet both the French and the Japanese artists painted dreamy landscapes, in a style that critics often label “naïve art”.
The two painters produced masterpieces, creating beauty and strength out of suffering.
Highlights of the exhibit “André Bauchant and Ryuji Fujita”
This exhibition will shed light on these artists through a total of 116 paintings selected from their works.
André Bauchant
Originally a horticultural sapling grower, André Bauchant was coscripted at the World War I.
By the time he left the army at the age of 46, his farm was bankrupt.
He then lived a life of near self-sufficiency, looking after his sick wife, when he started painting.
アンドレ・ボーシャン
《川辺の花瓶の花》
1946年
個人蔵(ギャルリーためなが協力)
アンドレ・ボーシャン
《窓》
1944年
個人蔵(ギャルリーためなが協力)
アンドレ・ボーシャン
《異国風の庭にいる人々》
1950年
個人蔵
アンドレ・ボーシャン
《トゥールの大道薬売り》
1944年
個人蔵(ギャルリーためなが協力)
アンドレ・ボーシャン
《芸術家たちの聖母》
1948年
個人蔵(ギャルリーためなが協力)
アンドレ・ボーシャン
《タルソスでアントニウスに会うクレオパトラ》
1952年
個人蔵
Ryuji Fujita
Ryuji Fujita started his career as a painter in his twenties, but his body became partially paralyzed following the cerebral infarction at the age of 48.
Going through a physical rehabilitation, he made strenuous efforts to change his paintbrush to his left hand and restarted painting.
藤田龍児
《デッカイ家》
1986年
星野画廊蔵
藤田龍児
《古い花》
1973年
個人蔵
藤田龍児
《啓蟄》
1986年
星野画廊蔵
藤田龍児
《老木は残った》
1985年
北川洋氏蔵
藤田龍児
《軍艦アパート》
1990年
大阪市立美術館蔵
藤田龍児
《静かなる町》
1997年
松岡真智子氏蔵
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